Wordless Wednesday

Fridays Funerary Art ~ Mosaic

San Michele, Venice

James Reynolds, Telegraph Stagecoach Driver

Mill Road, Cambridge

The Inscription reads:

‘Memory of James Reynolds

many years driver of the Telegraph Coach

from Cambridge to London

who died the 24th day of March 1868 aged 73 years

"All that live must die,

Passing through Nature to Eternity”. Hamlet’

In the early 1800s when the roads had improved beyond all recognition, travel eventually become ‘almost’ pleasurable. Coaches were able to attain speeds of up to 10 mph – cutting journey times by hours and in some cases days. What had been a two day journey from London to Cambridge (61 miles) in 1750, was possible in just six hours by 1836.

London predominated as the hub of all stagecoach services up until the 1750s, but within ten years, stagecoach services were operating between all major towns and cities and the number of provincial links had increased dramatically.
Local services were still served by carrier’s carts, generally operating between public houses, but the much larger inns, offering accommodation and fine food, were always the starting and terminating points for those travelling longer distances.

By the time the Cambridge Telegraph was in service in the early 1800's the coach left London daily at 9.00 in the morning (except Sunday) and arrived in Cambridge at the Sun Inn at 3.00 in the afternoon.
The return journey commenced in Cambridge at 1.00 in the morning and arrived at “9 the same morn”. By 1836 the time had been cut to 6 hours and one coach left Cambridge at 10.00 am daily whilst another left London at the same time to travel in the opposite direction.

Ideally there were four coaches called Cambridge Telegraph – two at each end, one in service, and the other in reserve. In late 1700's it cost £4 a month, including the wages of horse keepers and stable hands, to keep a coach horse on the road. The horses trotted and tried to keep a steady pace of ten miles an hour. Galloping could only be sustained for a short distance and was only indulged in to make up lost time.The lifespan of a horse on a stage coach route was only 3 to 4 years and they were then sold to farmers for lighter duties.

Due to the population’s desire to travel, stagecoach capacity was increased. The maximum number of six passengers ( carried in the 1740s ) was increased to eight or ten (inside and out) by the end of the century, and by 1810 coaches were large enough to carry up to eight people inside in ‘reasonable’ comfort, with eight more taking their places outside – open to the elements but at a much reduced fare.
There were accidents though, carrying so many people as well as their luggage, often led to stagecoaches tipping over on the more winding roads.

Journeys were also invariably long and tedious and frequent stops were made inns along the way. Tired horses would be changed for a fresh team and passengers were allowed 10–20 minutes for refreshments. For innkeepers the stagecoaches were a lucrative trade.
 Although the coaching era spanned 200 years, the real boom was between 1810 and 1830. During this time a nationwide network of services had been formed and some 3,000 coaches, and 150,000 horses both private and mail, were employed in the transportation of people.
Freight continued to be carried by the more efficient canal system until the 1830s but then went by rail, as did the mail from London. It was the arrival of the railways that put the final nail in the stagecoach coffin, for although they continued to be used in rural areas for some years to come, most people wanted to travel by rail.

Serpents and Snakes

Whilst visiting the cemetery in Haverhill, Suffolk yesterday, I was drawn to this monument that I assumed to be the Virgin Mary, even though there is no Sacred heart symbol or any of the other usual indicators as to her identity. However, when I took a closer look, I noticed that she was standing on a serpent with an apple in it's mouth.

  

In the Bible Genesis 3: 1-15: when Eve said that the serpent had beguiled her to eat the forbidden fruit, God told the serpent that it was cursed above all other animals, saying that it shall crawl upon its belly and eat dust all the days of its life and the Lord told the serpent that Eve and all her her offspring would crush the serpents head and that it would bite their heel.

So is this Mary or could it be Eve ?  and is this serpent a symbol of mortal temptation ?

This monument in the Histon Road Cemetry, Cambridge, has a snake on each of its four sides, each one in a different position. The first snake above is an Ouroboros ( a snake biting or eating it's own tail ) a symbol of immortality, rejuvenation and eternity.  

And lastly, this snake from Mill Road cemetery in Cambridge, holds the cloth which is draped around the urn.  

Sleeping Gardens

Walking through the Sleeping gardens

Stepping soft amongst the stones

Names and dates all carved in marble

Resting beneath them, only bones

Lilies scented, sweet and heady

Waxen petals, pure and white

Remind me of, when I last saw you ~

Had slipped away by candlelight

I had brushed your hair so golden

Kissed your lips so pale and cold

Told you that my heart was broken

You’d stay young as I grew old

Walking through the Sleeping gardens

Tears roll down my grieving cheek

Softly whispering I love you

No more words I’ll hear you speak

So I must wait until you meet me

On the other side of life

Reunited and immortal

Shedding off this mortal strife

Reclining Ladies

Some are resting and some are weeping

Chelmsford, Essex

San Michele, Venice, Italy

Montparnasse, Paris

George Kett III, Grade II Listed Grave

George Robert Kett OBE was the grandson of the George Kett who co-founded the architectural wood and stone carvers Rattee & Kett, and the son of George Kett JP, three times mayor of Cambridge. 
George Robert married Elizabeth Coles of London in 1884, and they had three children, Catherine (b 1885), Hilda (b 1887) and George (b 1891). During World War I, George Robert ran the National Service Scheme and became Cambridge’s Executive Officer for Food Control. He was awarded an OBE for his services to the country.
 

The monument is a chest tomb, with a cruciform top. At one end, carved in high relief, is a kneeling figure of Mary Magdalene holding a jar. There is an inscription to Elizabeth, who died in 1913, and George Robert, who died in 1933. The tomb lies nearby his grandfathers monument. 

The inscription reads as :

‘Sacred to the memory of Elizabeth Evans Ann Mary beloved wife of George R Kett

Born at Islington Feb 9th 1860. Died at Cambridge Oct 16th 1913

and of George Robert Kett OBE

Born at Cambridge October 14th 1860

Died at Stapleford Cambridge July 1st 1933’

George Kett's Grade II Listed Grave

My previous post was about James Rattee and so this one is about George Kett his business partner whose tombs are side by side.

George Kett was born in Norfolk and was a skilled carpenter and wood carver. He moved to London with his wife Sarah and five children – George, Joanna, Edmund, and twins William and Alfred – to work on the interiors and furnishings of the new Palace of Westminster under architect and designer Augustus Pugin. Pugin was said to be so pleased with Kett’s finely detailed work that he chose him to carve the royal coat of arms in the Chamber of the House of Lords.

By 1848, Kett had moved to Cambridge to set up an architectural wood and stone carving business with James Rattee, whom he had met earlier in the late 1830’s whilst they were both employed in restoring Norwich Cathedral. Rattee was by now renowned locally as a highly skilled wood and stone craftsman. Their company was originally known as the Wood and Stone Carving Works, Cambridge, though its name was quickly changed to Rattee and Kett.
George and Sarah now had seven children, their new additions Susannah, born 1846 in London, and Frederick, born 1848 in Cambridge.
The company flourished, and Kett took over the responsibility of running it after the sudden death of James Rattee, at the age of 34, in 1855.
George Kett himself died in 1872, at the age of 63. His wife Sarah, who outlived him by 13 years, youngest son Frederick James who died in 1916, and youngest daughter Susannah Elizabeth, who died in 1941, are also buried in the tomb.

The headstone reads as:

‘George Kett born 26 June 1809 died 12 Aug 1872

and Sarah his wife born 22 April 1809 died 18 Nov 1885

“Passed from death into life” V John 24'

'Frederick James

Son of the above died Dec 16 1916

Aged 68 years'

'And Susannah Elizabeth

born May 26 1846 died August 16 1941’

The surround reads as:

'Look for the resurrection of the dead and the life of the world to come. Amen'

James Rattee's Grade II Listed Grave

Mill Road Cemetery in Cambridge is tucked away from view like a Secret forgotten Garden and can easily be overlooked. It's large size is surprising, considering it is accessible from two rather small unimpressive entrances, which give nothing away to the unknowing passerby. However the cemetery is in regular use, by dog walkers or those using the paths as a short cut through.
The Friends of Mill Road Cemetery host many community based activities for the entire family to join in, such a nature trails and creative fun days within the cemetery.
There are also some hidden Grade II listed graves, that are a treasure........

     
James Rattee was a highly skilled woodcarver and stonemason whose work can be seen in the chapels of Jesus and Magdalene Colleges and the Round Church in Cambridge, as well as in Ely Cathedral, Westminster Abbey and Eton College chapel.
 He was born in Norfolk in 1820, and was apprenticed to a Norwich carpenter, who also taught him carving. He showed an interest in church ornamentation and restoration and first met George Kett while the latter was working on the restoration of Norwich Cathedral in the 1830s.

Rattee moved to Cambridge in 1842, and set up business as a woodcarver. His reputation as a craftsman grew swiftly and his successes included the carving of the choir stalls in Ely Cathedral, hailed as ‘the most elaborate piece of art workmanship executed since the Reformation’.
To expand the business, he asked George Kett to join him as partner. Their company was originally called the Wood and Stone Carving Works, Cambridge, though its name was soon changed to Rattee & Kett. 
 Although dedicated to his work, Rattee's health was not good. In 1852, his doctor advised him to take a break and he travelled to the Continent. While there, he spent time studying with master carvers in Cologne, Hamburg and Antwerp. On his return, he constructed George Gilbert Scott’s design for the five-panelled reredos at Ely Cathedral. In 1855, he suddenly fell ill with a cold and, already weak, was unable to fight the infection. Forty-eight hours later, he died at his home in Hills Road.
He was buried in Mill Road Cemetery on the afternoon of Good Friday, 1855, with a huge crowd in attendance, who came to ‘evince their admiration of his abilities and respect for his character’.
He was only 34. His widow Caroline Rattee retained a share and interest in the business of Rattee & Kett until her death in 1866. She is also buried in the tomb, as is James Rattee’s mother.
The monument is Grade II listed as being of historical or architechtural importance

The left-hand panel reads:

‘Erected to the memory of

James Rattee who departed this life

the 29th of March 1855 aged 34 years.

“He is not dead, but sleepeth”

Also of Caroline Louis (widow of the above)

who died 9 March 1866

aged 45 years’

(remainder illegible)

The right-hand panel reads:

‘In the same vault

lies the body of Elizabeth

(mother of James Rattee)

who died the 13th of Dec 1850

aged 64 years.

Also of Charlotte Berridge

who died the 14th March 1853

aged 29 years.

“Death where is thy sting”

Also of …’

(remainder illegible)

Monday Mourning

Southend-on-Sea

To My Dear Ones.

In loving memory of my all.

My darling daughter

Enid Marjorie Griffin

aged 20 who passed away Jan. 1st 1920

and my dearly beloved husband

George Hudson-Griffin

aged 53 who passed away Jan 6th 1920

'A little while and we shall meet again'

Sport Billy

Chelmsford, Essex 

Robert Cook

Died August 7th 1908

aged 50 years

The Pioneer of Essex Athletics

Founder of the Essex County Cycling

and Athletics Association

A real friend and Exemplary Freemason

'He ran well the race that was set before him'

The sports equipment and masonic symbols represent the activities and pastimes of the deceased and the shield with three sabres, is the symbol for the County of Essex. 

Rock or Stone?

Chelmsford, Essex 

Emma Jane Pochin

1871 - 1928

The rock is a powerful symbol in Christianity as it represents Permanence, Stability, Reliability and Strength.

Whilst one large stone can refer to Resurrection : Luke 24: 2: And they found the stone rolled away from the sepulchre. 3: And they entered in, and found not the body of the Lord Jesus.